Federico Boido's Filmography on TV

In a world ravaged by violence, and other serious social problems, Joan - a character that alludes to Christ (which represents the return to Earth) arrives to Italy by train and preaching for the salvation of mankind, condemning the hypocrisy and hedonism.

In a world ravaged by violence, and other serious social problems, Joan - a character that alludes to Christ (which represents the return to Earth) arrives to Italy by train and preaching for the salvation of mankind, condemning the hypocrisy and hedonism.

Two American bandits disguise themselves as priests in order to work undetected in Mexico during the revolution.

Father of English literature, the poet Geoffrey Chaucer, involved in storytelling a rainy night at an inn.

Charming, blithely amoral devil-may-care rogue Jesse Smith and peaceful, devout straight-arrow Mormon Lester O'Hara are estranged half brothers who are reunited after receiving a sizable inheritance from their deceased mother. The wildly contrasting mismatched duo get into all sorts of trouble while trying to claim said inheritance. Written by Woodyanders

Gianni Garko stars as the Holy Ghost, a supernatural gunfighter dressed in white and with a dove sitting on his shoulder. With his sidekick (Chris Huerta), the Holy Ghost rescues some farmers from the fortified prison of the evil General Ubarte, then raids the castle again for gold treasure aided by some local prostitutes.

Young adventurer Gipo owns one fifth of a rock illustrating the location of a rich gold mine. Risking his life more than once and with the help of the beautiful hooker, Lulu Belle, our hero sets out to recover the missing pieces.

Trastevere is a 1971 Italian comedy film. This is the first and only film directed by actor and screenwriter Fausto Tozzi. The film was heavily cut by producer Alberto Grimaldi, who cut off the roles of Umberto Orsini, Martine Brochard and Riccardo Garrone.

After witnessing a brutal massacre, the legendary hero Sartana is ready to do some investigating. Almost everyone in the tiny town of Indian Creek seems eager to buy up the property left behind by the murder victims, and one of them could well be behind the killings. The sheriff himself is not above suspicion, so Sartana must uncover the culprit all on his own.

Wind From the East is a product of Jean-Luc Godard's involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical stud