Schedule of programs in genre Western

The High Chaparral is an American Western-themed television series starring Leif Erickson and Cameron Mitchell which aired on NBC from 1967 to 1971. The series, made by Xanadu Productions in association with NBC Productions, was created by David Dortort, who had previously created the hit Bonanza for the network. The theme song was also written and conducted by Bonanza scorer David Rose, who also scored the two-hour pilot.

When a sudden spurt of murders occurs in the Big Bend country, suspicion immediately falls on a young drifter who just moved to the area.

To save a group of horses slated to be destroyed by the US Cavalry, a group of officers rebel and begin a journey towards Canada to save themselves and the mounts.

The High Chaparral is an American Western-themed television series starring Leif Erickson and Cameron Mitchell which aired on NBC from 1967 to 1971. The series, made by Xanadu Productions in association with NBC Productions, was created by David Dortort, who had previously created the hit Bonanza for the network. The theme song was also written and conducted by Bonanza scorer David Rose, who also scored the two-hour pilot.

Just before the turn of the Century two young outlaws team up for a historic ride. Based on historical references, the "True Story" of Butch Cassidy and the Sundance Kid.

Hodiak, Brian, Derek and Teal have just been released from prison. They return to Tomahawk Gap, now a ghost town, to retrieve the money that they stole and was buried by a partner somewhere in the town. While hunting, the Indians attack, and a life and death battle ensues.

Posing as a hangman, Mace Bishop arrives in town with the intention of freeing a gang of outlaws, including his brother, from the gallows. Mace urges his younger brother to give up crime. The sheriff chases the brothers to Mexico. They join forces, however, against a group of Mexican bandits.

Posing as a hangman, Mace Bishop arrives in town with the intention of freeing a gang of outlaws, including his brother, from the gallows. Mace urges his younger brother to give up crime. The sheriff chases the brothers to Mexico. They join forces, however, against a group of Mexican bandits.

Having lost his horse in a bet, Pat Brennan hitches a ride with a stagecoach carrying newlyweds, Willard and Doretta Mims. At the next station the coach and its passengers fall into the hands of a trio of outlaws headed by a man named Usher. When Usher learns that Doretta is the daughter of a rich copper-mine owner, he decides to hold her for ransom. Tension builds over the next 24 hours as Usher awaits a response to his demands and as a romantic attachment grows between Brennan and Doretta.

Having lost his horse in a bet, Pat Brennan hitches a ride with a stagecoach carrying newlyweds, Willard and Doretta Mims. At the next station the coach and its passengers fall into the hands of a trio of outlaws headed by a man named Usher. When Usher learns that Doretta is the daughter of a rich copper-mine owner, he decides to hold her for ransom. Tension builds over the next 24 hours as Usher awaits a response to his demands and as a romantic attachment grows between Brennan and Doretta.

Bart Allison arrives in Sundown after a three year search for Tate Kimbrough. Although it is Kimbrough's wedding day, Allison makes it clear he blames him for the death of his wife and is out to kill him. A shoot-out in the church puts the wedding on hold and Allison and his trail-buddy hole up in the livery stable. But the reasons for his actions become increasingly unclear, while the town starts to wonder about the grip Kimbrough has over them.

Bart Allison arrives in Sundown after a three year search for Tate Kimbrough. Although it is Kimbrough's wedding day, Allison makes it clear he blames him for the death of his wife and is out to kill him. A shoot-out in the church puts the wedding on hold and Allison and his trail-buddy hole up in the livery stable. But the reasons for his actions become increasingly unclear, while the town starts to wonder about the grip Kimbrough has over them.