Prakash Mehra's Filmography on Tv

Mohabbat Ke Dushman (1988)

Rehmat Khan (Raaj Kumar) is the wise leader of a tribe of frontiersmen. After the malevolent leader of a neighboring tribe (Amrish Puri) kidnaps the beautiful Shama (Hema Malini), the woman escapes and seeks refuge in Khan's camp. When Khan falls for her, their love threatens to spark a bloody tribal war in this drama from Prakash Mehra. The Kalyanji-Anandji soundtrack features "Allah Kare Maula Kare" and "Bahut Kat Chuka Hai."

Muqaddar (1978)

As an orphan on the streets in Shimla, young Sikandar (Amitabh Batchchan) has no one to care of him. For a short while he works for Mr. Ramnath, Little Kamna Ramnath (Rakhee Gulzar) gives Sikandar the kind of consideration and friendship no one has ever before given him. After that Ramnath leave Shimla for Bombay, Sikandar follows them there. Eventually Fatima, a young widow who works for Ramnath, adopts Sikandar. At Kamna's birthday party Ramnath mistakes Sikandar for a thief and has him thrown

Muqaddar Ka Sikandar (1978)

As an orphan on the streets in Shimla, young Sikandar (Amitabh Batchchan) has no one to care of him. For a short while he works for Mr. Ramnath, Little Kamna Ramnath (Rakhee Gulzar) gives Sikandar the kind of consideration and friendship no one has ever before given him. After that Ramnath leave Shimla for Bombay, Sikandar follows them there. Eventually Fatima, a young widow who works for Ramnath, adopts Sikandar. At Kamna's birthday party Ramnath mistakes Sikandar for a thief and has him thrown

Haath Ki Safai (1974)

After the tragic passing of his parents, Raj Kumar is also separated from his elder brother. He ends up hungry and penniless in Bombay, and is taken in by a pickpocket thief, Usmanbhai, who trains Raj to be a master at picking pockets and stealing. It is in this atmosphere that Raj grows up and calls himself Raju Tardeo, for this is the area allocated to him to carry on stealing. Raju comes to know that a wealthy woman named Kamini has run away from home, and a reward has been placed in all news

Ek Kunwari Ek Kunwara (1973)

Wealthy Deepak comes to the rescue of a village belle named Tara, marries her in secret, leaves her with a promise to return. When Tara finds out she is pregnant, and Deepak has abandoned her she gets a stroke and as a result loses her voice. Subsequently, she gives birth to a son, and leaves the village to go to Bombay to look for Deepak. Once there, she comes across Deepak, who will not have anything to do with her, and gives her some money to look after herself and the child. She abandons the

Ek Kunwara Ek Kunwari (1973)

Wealthy Deepak comes to the rescue of a village belle named Tara, marries her in secret, leaves her with a promise to return. When Tara finds out she is pregnant, and Deepak has abandoned her she gets a stroke and as a result loses her voice. Subsequently, she gives birth to a son, and leaves the village to go to Bombay to look for Deepak. Once there, she comes across Deepak, who will not have anything to do with her, and gives her some money to look after herself and the child. She abandons the

Aan Baan (1972)

Raja Bahadur rules his region, although fully aware that his days as King are numbered. Nevertheless, he indulges in women, alcohol, and high-living - most of which is through borrowed money, with the creditors threatening to take him to court. He even has an affair with prostitute named Dulari, who he refuses to marry, and has her brother, Kundan, sent to jail. When his brother, Suraj, returns from abroad, Bahadur decides to withhold this information from him. In order to keep up appearances, B

Hasina Maan Jayegi (1968)

An army officer's wife is unsure if the man she is living with is her husband or his look-alike.

Haseena Maan Jayegi (1968)

An army officer's wife is unsure if the man she is living with is her husband or his look-alike.

Samadhi (1967)

Samadhi is both mystical and mysterious, an incredible fusion of movement, sound and colour. Belson notes the influence of his study and practice of Yoga and Tibetan Buddhism on the creation of Samadhi. The film is inspired by the principles of yogic meditation: the movement of consciousness towards samadhi (union of subject and object), the fusion of atma (breath and mind), a state which reveals the divine force of kundalini, a bright white light we discover at the end of Samadhi. The Tibetan