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Gary Sinyor (born Manchester, England, 1962) is an award-winning film director, producer, and writer. He was raised in a Sephardic Jewish upbringing, before going on to the National Film and Television School. As the co-writer, co-producer, and co-director of Leon the Pig Farmer he shared the FIPRESCI International Critics' Prize at the 1992 Venice Film Festival, the Chaplin Award for the best first feature from the 1992 Edinburgh International Film Festiv
Gender: Male
Last Info Sync: 7/22/2018 12:28:00 PM
Gary Sinyor's Filmography on Tv
Find list of movies directed by Gary Sinyor on tv. Select any movie link to find details about the movie. Movies are sorted in decreasing order of release date i.e. movie with latest release date is shown first.
Lo scapolo d'oro (1999)
Jimmie is seeing his single friends get married one by one. He isn't too worried until his girlfriend Anne catches the bouquet at his friend Marco's wedding. Suddenly, his wild mustang days are numbered. He finally decides to propose to her, but he sticks his foot in his mouth and botches the proposal. Being insulted by the defeatist proposal, Anne leaves town on an assignment. After she's gone, he finds out that his recently-deceased grandfather's will stipulates that he gets nothing of a multi
Stiff Upper Lips (1998)
Stiff Upper Lips is a broad parody of British period films, especially the lavish Merchant-Ivory productions of the 'eighties and early 'nineties. Although it specifically targets A Room with a View, Chariots of Fire, Maurice, A Passage to India, and many other films, in a more general way Stiff Upper Lips satirises popular perceptions of certain Edwardian traits: propriety, sexual repression, xenophobia, and class snobbery.
Genres
#Comedy
Fool Britannia (1998)
Stiff Upper Lips is a broad parody of British period films, especially the lavish Merchant-Ivory productions of the 'eighties and early 'nineties. Although it specifically targets A Room with a View, Chariots of Fire, Maurice, A Passage to India, and many other films, in a more general way Stiff Upper Lips satirises popular perceptions of certain Edwardian traits: propriety, sexual repression, xenophobia, and class snobbery.