Ermanno Olmi (born July 24, 1931 in Bergamo, Lombardy) was a renowned Italian film director. Olmi's films have been described as "humanistic and reflective, portraying everyday people in particular landscapes and locations, while at the same time being charged with social comment and poetic flashes." His films fit into the artistic mold of Italian neorealism, though Olmi argued, in an interview found on the Criterion Edition DVD of his 1961 film, Il Posto, that this was the artistic tradition he
Gender: Male
Born On: 24-Jul-1931
Last Info Sync: 10/31/2022 10:50:00 AM
Ermanno Olmi's Filmography on Tv
Find list of movies directed by Ermanno Olmi on tv. Select any movie link to find details about the movie. Movies are sorted in decreasing order of release date i.e. movie with latest release date is shown first.
Vedete, sono uno di voi (2017)
The film is the personal story of a protagonist of our times and traces Carlo Martini's actions and thoughts, as he has remained faithful to its vocation and ideals. Through dramatic events (terrorism, Tangentopoli, labor crisis, conflict, loneliness) Carlo Martini interpreted losses and concerns of the people, who saw a free man and a non dogmatic prince of the Gospel Church. Thanks to the authenticity of his testimony he has been a reference point for believers and non-believers, a prophet of
Genres
#Documentary
Il mestiere delle armi (2001)
In autumn of 1526, the Emperor, Charles V, sends his German landsknechts led by Georg von Frundsberg to march towards Rome. The inferior papal armies, commanded by Giovanni de'Medici, try to chase them in the midst of a harsh winter. Nevertheless, the Imperial armies manage to cross the rivers along their march and get cannons thanks to the maneuvers of its Lords. In a skirmish, Giovanni de'Medici is wounded in the leg by a falconet shot. The attempts to cure him fail and he dies. The Imperial a
Il segreto del bosco vecchio (1993)
It tells the story of a general who is about to cut down an old forest for the sake of financial gain, but discovers that the forest is inhabited by invisible spirits
L'albero degli zoccoli (1978)
The life inside a farm in Italy at the beginning of the century. Many poor country families live there, and the owner pays them by their productivity. One of the families has a very clever child. They decide to send him to school instead of make him help them, although this represents a great sacrifice. The boy has to wake up very early and walk several miles to get to the school. One day the boy's shoes break when returning home, but they do not have money to buy other. What can they do?
Genres
#Drama
La circostanza (1973)
Laura, a woman of a certain age with full grown children who, by all indications should be leading a great life, but actually, she appears to have none. She comes from a wealthy family. Laura has made herself a lawyer with a nice practice. Her placid existence comes to an abrupt stop when a young motorcyclist suffers an accident almost in front o her. Laura is made to take the youth to the hospital. The incident will change the way she looks at things. Laura becomes obsessed with the young man t
Genres
#Drama
I recuperanti (1970)
Via the Chicago Reader: "After World War II an Italian soldier returns to his hometown near the Alps and, unable to find a job, hooks up with a crotchety hermit who scavenges buried shells and bombs for scrap metal."
E venne un uomo (1965)
Based on the diary Pope John XXIII kept between the ages of 14 and 18, his lifelong concern for tolerance, the underprivileged, and world peace is told. Rod Steiger, in the central role, acts as "intermediary" between the Pope and the audience, interpreting John's words, thoughts and actions. Steiger visits the actual places in which John lived, recreating the conditions, environment, and forces that affected his development. Through this unusual technique, we are brought close to an extraordina
...E venne un uomo (1965)
Based on the diary Pope John XXIII kept between the ages of 14 and 18, his lifelong concern for tolerance, the underprivileged, and world peace is told. Rod Steiger, in the central role, acts as "intermediary" between the Pope and the audience, interpreting John's words, thoughts and actions. Steiger visits the actual places in which John lived, recreating the conditions, environment, and forces that affected his development. Through this unusual technique, we are brought close to an extraordina
