Dino Risi's Filmography on Tv

Teresa is a young widow who is concentrated on her little business until she hires Gino.

Police commissioner Lo Gatto is in charge of the local Italian police station within Vatican State. During an investigation, following the murder of a Vatican priest, he decides to question the Pope! For this reason Lo Gatto is sent to a Sicilian remote island Favignana. There is very little for the commissioner to do on the quiet island, so Lo Gatto decides to investigate the vanishing of a tourist which quickly becomes a very complicated affair.

Story about a doctor in a Libyan military hospital who is mad, but no-one wants to declare him unfit, and he becomes the captain of a fighting unit. Through him the Germans risk losing a truce with the British, and therefore kill him and give him a hero's funeral.

Antonio Barozzi moves from Lago Maggiore to Rome to become an actor. He does not realize his agent and acting coach are only manipulating him to further their own careers.

In Caro papá, Dino Risi is telling the story of the decadent lifestyle, and dysfunctional family, of a wealthy businessman (played to perfection by Risi's favorite leading man, Vittorio Gassman). Risi paints his portrait against a backdrop of an Italy where the new permissiveness has run rampant, traditional socio-cultural values have been usurped by consumerism, and the streets have become an open battleground for politically extremist groups (the '70s were dubbed "The Years of Lead" due to the

Mario, a rich and eccentric war hero befriends Marco, a loner with a sailboat, and takes him home to meet his estranged wife Cleofe and sexually repressed sister in law Matilde. Mario confesses his love for Matilde and so ensues a love triangle.

This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.

This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.

An army cadet accompanies an irascible, blind captain on a week-long trip from Turin to Naples.

How Funny Can Sex Be? is an nine-episode anthology film about love, sex and marriage in contemporary, mid-'70s Italy.

A man and his mistress have just taken off for a weekend romp when they're kidnapped by a trio of bank robbers. They wind up becoming media "stars" as police and reporters follow them. They all wind up at the beat-up shack of a cranky old codger, with the police surrounding them and the robbers threatening to kill everybody.