Carol Reed Poster

From Wikipedia, the free encyclopedia Sir Carol Reed (30 December 1906 – 25 April 1976) was an English film director best known for Odd Man Out (1947), The Fallen Idol (1948), and The Third Man (1949). He won the Palme d'Or for The Third Man and the 1968 Academy Award for Best Director for Oliver!. Description above from the Wikipedia article Carol Reed, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Gender: Male
Born On: 30-Dec-1906
Last Info Sync: 4/29/2021 12:10:00 PM

Carol Reed's Filmography on Tv

Find list of movies directed by Carol Reed on tv. Select any movie link to find details about the movie. Movies are sorted in decreasing order of release date i.e. movie with latest release date is shown first.

Oliver! (1968)

Musical adaptation of Charles Dickens' Oliver Twist, a classic tale of an orphan who runs away from the workhouse and joins up with a group of boys headed by the Artful Dodger and trained to be pickpockets by master thief Fagin.

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Il tormento e l'estasi (1965)

During the Italian Renaissance, Pope Julius II contracts the influential artist Michelangelo to sculpt 40 statues for his tomb. When the pope changes his mind and asks the sculptor to paint a mural in the Sistine Chapel, Michelangelo doubts his painting skills and abandons the project. Divine inspiration returns Michelangelo to the mural, but his artistic vision clashes with the pope's demanding personality and threatens the success of the historic painting.

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Tormento & Estasi (1965)

During the Italian Renaissance, Pope Julius II contracts the influential artist Michelangelo to sculpt 40 statues for his tomb. When the pope changes his mind and asks the sculptor to paint a mural in the Sistine Chapel, Michelangelo doubts his painting skills and abandons the project. Divine inspiration returns Michelangelo to the mural, but his artistic vision clashes with the pope's demanding personality and threatens the success of the historic painting.

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The Agony & The Ecstasy:... (1965)

During the Italian Renaissance, Pope Julius II contracts the influential artist Michelangelo to sculpt 40 statues for his tomb. When the pope changes his mind and asks the sculptor to paint a mural in the Sistine Chapel, Michelangelo doubts his painting skills and abandons the project. Divine inspiration returns Michelangelo to the mural, but his artistic vision clashes with the pope's demanding personality and threatens the success of the historic painting.

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Our Man In Havana (1960)

Expatriate Englishman Jim Wormold lives in pre-revolutionary Havana with his teenage daughter. Owning a poorly-performing business, he accepts an offer from the British Secret Service to recruit a network of agents in Cuba. Wormold hasn't got a clue where to start, so he decides to manufacture a list of agents and provide fictional tales for his masters in London, and is soon known as the best agent in the Western Hemisphere. However, it all unravels when the local police decode his cables and s

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A Kid for Two Farthings (1955)

Joe is a young boy who lives with his mother, Joanna, in working-class London. The two reside above the tailor shop of Mr. Kandinsky, who likes to tell Joe stories. When Kandinsky informs Joe that a unicorn can grant wishes, the hopeful lad ends up buying a baby goat with one tiny horn, believing it to be a real unicorn. Undaunted by his rough surroundings, Joe sets about to prove that wishes can come true.

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The Man Between (1953)

A British woman on a visit to post-war Berlin is caught up in an espionage ring smuggling secrets into and out of the Eastern Bloc.

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Outcast of the Islands (1951)

After financial improprieties are discovered at the Eastern trading company where he works, Peter Willems flees the resulting disgrace and criminal charges. He persuades the man who gave him his start in life, the merchant ship captain Lingard, to bring him to a trading post on a remote Indonesian island where he can hide out.

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The Third Man (1949)

In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.

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The Fallen Idol (1948)

Phillipe, the son of an ambassador in London, idolizes Baines, his father's butler, a kind of hero in the eyes of the child, whose perception changes when he accidentally discovers the secret that Baines keeps and witnesses the consequences that adults' lies can cause.

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Odd Man Out (1947)

Belfast police conduct a door-to-door manhunt for an IRA gunman wounded in a daring robbery.

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The True Glory (1945)

A documentary account of the allied invasion of Europe during World War II compiled from the footage shot by nearly 1400 cameramen. It opens as the assembled allied forces plan and train for the D-Day invasion at bases in Great Britain and covers all the major events of the war in Europe from the Normandy landings to the fall of Berlin.

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