A. P. Nagarajan's Filmography on Tv

Thirumalai Deivam (1972)

Thirumalai Thenkumari (1970)

Ten to twelve families from different walks of life, different age groups and different languages get together for a pilgrimage tour, starting from Tirupati and extending till Kanyakumari. The movie captures their experiences in the trip and how they develop oneness, with the common thread of religious bonding among them. The movie also highlights small anecdotes from mythology, thereby giving the movie a spiritual fervor.

Thirumal Perumai (1968)

Thirumal Perumai tells three spell-bounding stories about how far you can get with Lord Vishnus

Thillana Mohanambal (1968)

A classical bharathanatyam dancer and a nathaswaram player fall in love against the wishes of her family.This movie is about how they try to work things out and that hardships that they have to endure. Dance and music are used as an integral part of the story rather than a pastime.

Thillana Thillana (1968)

A classical bharathanatyam dancer and a nathaswaram player fall in love against the wishes of her family.This movie is about how they try to work things out and that hardships that they have to endure. Dance and music are used as an integral part of the story rather than a pastime.

Kandhan Karunai (1967)

The film revolves around Lord Murugan, his birth, marriage and his acceptance of the post of the head of the army of heaven.

Saraswathi Sabatham (1966)

Saraswati Sabatham tells the story of a fight between three goddesses over which has the best power. Narada (Sivaji Ganesan), a sage and celestial troublemaker, begins the fight by visiting Saraswati, the goddess of knowledge, and asking her which is better: knowledge or wealth. Saraswati (Savitri) answers that her power, knowledge, is the best.

Sabatham (1966)

Saraswati Sabatham tells the story of a fight between three goddesses over which has the best power. Narada (Sivaji Ganesan), a sage and celestial troublemaker, begins the fight by visiting Saraswati, the goddess of knowledge, and asking her which is better: knowledge or wealth. Saraswati (Savitri) answers that her power, knowledge, is the best.

Shiv Kripa (1965)

Devrishi Narad visits Bhagwan Shri Shivji, Devi Maa Parvati, and their sons, Bhagwan Shri Ganesh, and Bhagwan Shri Kartikeya, and presents Shivji with a fruit. He decides to give it to his wife, who, in turn, decides to give it to her sons. But Shivji wants her to give it to only one. As a result, both the sons are put to a test, and Ganeshji is declared the winner. Kartikeyaji gets offended and decides to leave, followed closely by his parents and brother. Parvatiji catches up to him and narrat

Navarathiri (1964)

Navaratri combined the story telling skills of filmmaker A. P. Nagarajan and the performances of all-time greats Sivaji Ganesan and Savithri. It was the 100th film of Ganesan, who began his career as a stage artiste at the age of nine. Beginning with Parasakthi in 1952, the actor completed 100 films in a dozen years! BBC News mentioned Navaratri as one of Sivaji Ganesan

Kulamagal Radhai (1962)