Miss Kumari, whose real name was Thresiamma, was a Malayalam film actress of the early years of 1940–1960s . Miss Kumari debuted in Malayalam with the 1949 fi1m Vellinakshatram. She got her break through the 1950 box office hit film Nalla Thanka.[4] Sathyan and Miss Kumari were elevated to stardom after the huge success of the film Neelakuyil (1954). She acted in more than 50 films, in a career spanning about two decades. She has acted in few Tamil movies as well. Pettravel kanda vazhvu was one
Gender: Female
Born On: 1-Jun-1932
Last Info Sync: 9/13/2018 5:40:00 PM
Miss Kumari's Filmography on TV
List of programs starring Miss Kumari on tv. Programs are sorted in order of last seen on tv. Last updated: Jun 25, 2024 12:03 AM
Bhaktha Kuchela (1961)
The film told, apart from the main story of the friendship between Krishna and Kuchela, a few sequences from the Bhagavatha
Newspaper Boy (1955)
Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.
Harishchandra (1955)
The film was based on the legend of King Harishchandra, recounted in the Ramayana and the Mahabharata. Starring Thikkurissy Sukumaran Nair, Miss Kumari, Master Hari, G. K. Pillai, Jose Prakash and T. S. Muthiah in major roles, it features cinematography by N. S. Mani and music by Brother Lakshmanan.
Neelakkuyil (1954)
An untouchable girl is found dead with her illegitimate child, the child is adopted by a postman, a high caste Hindu. No one knows the true identity of the real father of the child, until the child real father, also an upper caste Hindu acknowledges paternity. As the story unfolds, the real father becomes agitated by guilt and anguish and then finally questions his previous actions. The film ends with the Masters own resolutions and true acceptance of his own child and self.
Neelakuyil (1954)
An untouchable girl is found dead with her illegitimate child, the child is adopted by a postman, a high caste Hindu. No one knows the true identity of the real father of the child, until the child real father, also an upper caste Hindu acknowledges paternity. As the story unfolds, the real father becomes agitated by guilt and anguish and then finally questions his previous actions. The film ends with the Masters own resolutions and true acceptance of his own child and self.