Newcastle born Ian Hogg is an actor of British stage, screen and television. He is perhaps best known for his role as the tenacious and tetchy detective Rockcliffe in the BBC TV series Rockliffe's Babies and its subsequent, short-lived spin-off Rockliffe's Folly.
Gender: Male
Born On: 1-Aug-1937
Last Info Sync: 7/28/2021 8:21:00 AM
Ian Hogg's Filmography on TV
List of programs starring Ian Hogg on tv. Programs are sorted in order of last seen on tv. Last updated: Jul 1, 2024 1:50 PM
Il giovane Hitler (2003)
This biopic profiles history's most spectacular madman, tracing his journey from humble roots to complete mastery of Germany.
Red Monarch (1983)
British comedy satirising Stalin's inner circle as an absolute monarchs court. In the face of rampant abuse of power and poisonous distrust some still manage to keep faith with the Bolshevist creed until the very end. In front of the firing squad a stalwart bolshevist of the first hour exclaims: "Even in the best democracy errors are being made!"
Hennessy (1975)
Set in the Seventies, Hennessy is a Irishman who believes in peace, but who has had connections to the IRA. Hennessy's family is killed, and he plots revenge, setting out to assassinate Queen Elizabeth of England.
Il giorno piu' lungo (1975)
Former Irish Republican Army member Niall Hennessy lives in Belfast, Ireland, with his wife and daughter amid the ongoing Irish-British conflict. Though he still knows people in the IRA, including fugitive leader Tobin, Niall has given up his violent ways. One day his family is caught in a chaotic street shootout and killed by British forces. Overwhelmed with rage and hunted by a Scotland Yard inspector, Niall heads to London to exact his deadly revenge.
Tell Me Lies (1968)
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson a