Henry B. Walthall's Filmography on TV

A Tale of Two Cities (1935)

The exciting story of Dr. Manette, who escapes the horrors of the infamous Bastille prison in Paris. The action switches between London and Paris on the eve of the revolution where we witness 'the best of times and the worst of times' - love, hope, the uncaring French Aristocrats and the terror of a revolutionary citizen's army intent on exacting revenge.

Chandu (1932)

When delusional madman Roxor kidnaps a scientist in hopes of using his death ray to achieve world dominance, he is opposed by Chandu, a powerful hypnotist and yogi.

Il cavaliere della liberta' (1930)

A biopic dramatizing Abraham Lincoln's life through a series of vignettes depicting its defining chapters: his romance with Ann Rutledge; his early years as a country lawyer; his marriage to Mary Todd; his debates with Stephen A. Douglas; the election of 1860; his presidency during the Civil War; and his assassination in Ford’s Theater in 1865.

The Road to Mandalay (1926)

Joe, a former sea captain whose wife died during the birth of their child at sea, is now a pockmarked, disreputable divekeeper in Singapore where he indulges in shady operations with Herrick, known as The Admiral. They ship for Mandalay, where Joe's daughter lives with a priest, Father James, and tends a curio shop, unaware that her father regularly sends money to Father James for her support. Although his daughter clearly finds him abhorrent, Joe determines to take her away until he learns that

The Birth Of A Nation (1915)

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine in director D.W. Griffith's controversial Civil War epic. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

Two Daughters (1912)

Calumny is one of the most despicable crimes against our neighbor, and while the wife in this story acted conventionally, she nevertheless maligned the other woman simply because of her profession, an actress. While out on a shopping tour, the wife and her husband enter a store, leaving their little child in the auto in the care of the chauffeur. This gentleman pays but scant attention to the child, so the little one wanders off and strolls into the stage door of a theater during the matinee. Th