Josh meets a young woman who shortly afterwards collapses and is rushed to hospital in an ambulance. He follows after her only to find that there is no record her being admitted, and he soon learns that her room mate also vanished after being picked up by the same ambulance. Convinced of a conspiracy, Josh proceeds to investigate, despite the discouragement of the police.

Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs -- and it's absolutely impossible to contain.

Josh meets a young woman who shortly afterwards collapses and is rushed to hospital in an ambulance. He follows after her only to find that there is no record her being admitted, and he soon learns that her room mate also vanished after being picked up by the same ambulance. Convinced of a conspiracy, Josh proceeds to investigate, despite the discouragement of the police.

Bean works as a caretaker at Britain's formidable Royal National Gallery, and his bosses want to fire him because he sleeps at work all the time, but can't because the chairman of the gallery's board defends him. They send him to USA, to the small Los Angeles art gallery instead, where he'll have to officiate at the opening of the greatest US picture ever (called "Whistler's Mother").

Bean works as a caretaker at Britain's formidable Royal National Gallery, and his bosses want to fire him because he sleeps at work all the time, but can't because the chairman of the gallery's board defends him. They send him to USA, to the small Los Angeles art gallery instead, where he'll have to officiate at the opening of the greatest US picture ever (called "Whistler's Mother").

Bean works as a caretaker at Britain's formidable Royal National Gallery, and his bosses want to fire him because he sleeps at work all the time, but can't because the chairman of the gallery's board defends him. They send him to USA, to the small Los Angeles art gallery instead, where he'll have to officiate at the opening of the greatest US picture ever (called "Whistler's Mother").

Bean works as a caretaker at Britain's formidable Royal National Gallery, and his bosses want to fire him because he sleeps at work all the time, but can't because the chairman of the gallery's board defends him. They send him to USA, to the small Los Angeles art gallery instead, where he'll have to officiate at the opening of the greatest US picture ever (called "Whistler's Mother").

Bean works as a caretaker at Britain's formidable Royal National Gallery, and his bosses want to fire him because he sleeps at work all the time, but can't because the chairman of the gallery's board defends him. They send him to USA, to the small Los Angeles art gallery instead, where he'll have to officiate at the opening of the greatest US picture ever (called "Whistler's Mother").

Bean works as a caretaker at Britain's formidable Royal National Gallery, and his bosses want to fire him because he sleeps at work all the time, but can't because the chairman of the gallery's board defends him. They send him to USA, to the small Los Angeles art gallery instead, where he'll have to officiate at the opening of the greatest US picture ever (called "Whistler's Mother").

Bean works as a caretaker at Britain's formidable Royal National Gallery, and his bosses want to fire him because he sleeps at work all the time, but can't because the chairman of the gallery's board defends him. They send him to USA, to the small Los Angeles art gallery instead, where he'll have to officiate at the opening of the greatest US picture ever (called "Whistler's Mother").