Patrizio Rispo's Filmography on TV

Malavita (2017)

In Naples, the four different individuals are crossed by destinies: a Camorra boss decides to change life and tries in all ways to disappear from the circulation with the aid of his wife, while a sleeping nurse and a feared dwarf are suspended between Their past and an uncertain future.

Ammore e malavita (2017)

A Camorra boss fakes his own death in order to start a new life elsewhere with his family, but a nurse happens to see him alive and well after the funeral. A hitman is promptly sent to get rid of her, only to find out that she's his first and unforgotten love. He decides to protect her, becoming himself a target.

Benvenuto presidente! (2013)

In a small mountain village lives a man with a challenging name, Giuseppe Garibaldi (one of Italy's "fathers of the fatherland"), but everybody call him with the nickname Peppino. Love fishing, the company of friends, the library where he works as a precarious employee. He is an optimistic person even if his child accuse him of being a wannabe. One day, due to a mess of politicians, an amazing thing happens: Peppino is mistakenly elected President of the Italian Republic. Pulled out from his qui

Caruso - La voce dell'amore (2012)

Caruso, the voice of love is an Italian television miniserie of 2012, inspired by Enrico Caruso, broadcast on Rai 1 on 23 and 24 September 2012. It was produced by Claudia Mori, for Hi Guys. The story focuses on contrasting relationships between Enrico Caruso and the two Florentine sisters Rina and Ada Giachetti-from which he had two children, Rodolfo and Enrico Jr. - And on marriage with the young American Dorothy Benjamin, from which Caruso had his daughter Gloria. (Translated from Italian,

Travolti dal destino (2002)

Stranded and alone on a desert island during a cruise, a spoiled rich woman and a deckhand fall in love and make a date to reunite after their rescue.

Pacco, doppio pacco e contropaccotto (1993)

Morte di un matematico napoletano (1992)

Naples, 1959. Pure mathematics professor Renato Caccioppoli is a tormented and disillusioned man. Recently discharged from the psychiatric hospital, left by his wife, and feeling increasingly isolated within the university and the Italian Communist Party (he's also Bakunin's grandson), he lives his last days with painful detachment.

Nel regno di Napoli (1978)

Cahiers du cinéma critic Serge Daney asks whether The Kingdom of Naples is "leftist fiction, kitschy melodrama, photo-roman, a decadent chronicle of a city, opera in a minor key, or simply the first realistic narrative film by Schroeter?" It is all of these and more: an epic chronicle of proletarian family life in Naples from 1943 to 1972 that brilliantly captures the wretched poverty, overwrought passions, and political, religious and economic upheavals of Sicily across two generations. Schroet