Manavalan Joseph's Filmography on TV

List of programs starring Manavalan Joseph on tv. Programs are sorted in order of last seen on tv. Last updated: May 30, 2024 9:04 AM

Mattuvin Chattangale (1982)

A young boy who watches his parents getting murdered spends most of his childhood planning to take revenge on their killers since the investigating officer was unable to catch them.

Druvasangamam (1981)

Dhruvasangamam is a 1981 Indian Malayalam film, directed by J. Sasikumar. The film stars Mohanlal, Manavalan Joseph, Shubha and Sukumaran in lead roles.

Akalangalil Abhayam (1980)

The son of a single mother kills a person who had tried to rape her. During the trial, when the mother steps in to give her verdict, she finds that the judge is none other than her son's father.

Ponnapuram Kotta (1974)

Ponnapuram Kotta is a 1973 Malayalam language film starring Prem Nazir, K. P. Ummer, Vijayasree and Vijayanirmala in the lead roles.

Aromalunni (1972)

Based on Vadakkan Pattukal, a collection of Northern Ballads of medieval origin.

Kasavuthattam (1967)

Indian Malayalam film, directed and produced by Kunchacko. The film stars Prem Nazir, Sharada, Adoor Bhasi and Manavalan Joseph in lead roles.

Odayil ninnu (1965)

Pappu is a person who takes a relentless stand for justice right from his early years. His protests against his teacher who discriminates between the landlord's son and other children brings him the wrath of the landlord and he's forced to leave home. He leads a hard life fighting to uphold his ideals. He ends up being a rickshaw puller and at this time finds a child from the gutter and takes care of her. Things do not go as Pappu expected as the child grows older.

Sabarimala Sree Ayyappan (1961)

King Rajasekhara, the king of Pandalam, finds a child on the banks of River Pampa during one of his hunting expeditions. A saint who appears there advises the king to adopt this child name him as Manikantan

Neelakuyil (1954)

An untouchable girl is found dead with her illegitimate child, the child is adopted by a postman, a high caste Hindu. No one knows the true identity of the real father of the child, until the child real father, also an upper caste Hindu acknowledges paternity. As the story unfolds, the real father becomes agitated by guilt and anguish and then finally questions his previous actions. The film ends with the Masters own resolutions and true acceptance of his own child and self.

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