Teresa Saponangelo's Filmography on TV

Pietro and Eleonora, both avid gardeners, are strangers who only meet because their two terraces are close to each other. The relationship that grows between them helps them to alleviate the pain each feels over something secret and very serious, a pain both try to hide from themselves and those around them. In this limbo they inhabit, the two make a stab at finding happiness together, until their paths diverge once more.

Alba has Down syndrome and was left in the hospital when she was born. Thirty families rejected her before the court decided to entrust her to Luca Trapanese, gay and Catholic.

Clara is a young and noblewoman with a free and rebellious spirit who was separated from her twin brother and forced into an arranged marriage. Despite this, she falls in love with her husband and fights to win his love. Clara however, falls victim to her aunt’s and cousin’s conspiracies, as they are determined to steal her inheritance.

Nicola is a man who has spent much of his life in a mental institution, though not always as a patient. Nicola's mother suffered from mental illness, and when young Nicola grew old enough to understand some of her stranger behavior as well as the family's other dark secrets, a few of the adults around him preferred to suggest he was disturbed like his mother, and he was encouraged to visit an asylum not far from his home. As an adult, Nicola has spent enough time around people who have a tenuous

Anna is an accountant for an important insurance firm and lives with her longterm lover Alessio - a man who longs for a stable longterm relationship with children, home, etc. Anna, feeling as though the fire has fizzled in that relationship takes up with co-worker Domenico and the two begin a passionate affair.

Now 25, brilliant Marta seems to have her whole life ahead after majoring in philosophy, but she has to face the ugly truth for young graduates in Italy: a complete lack of work opportunities outside of temp jobs. While babysitting for single mother Sonia, she starts to work at the call center of a company selling junk to housewives, quickly rising through its ranks and experiencing first-hand the fanatical and exploitative competition culture pushed on young employees. Around her revolve other

The film looks again at recent events from a female point of view, through the first-hand accounts provided by the diaries of three women. Rather than focusing on the alleged objectivity of facts, the film gives space to a chorus of voices that narrate those events in first person, visually supported by archival footage of the period, drawn from the most varied sources - institutional, public, militant and private. Anita, Teresa and Valentina come from different Italian regions and different soc

Racial integration is Elena's profession and passion, not only filling her working day as a cultural mediator assisting immigrants, but spilling over into her home life as well. All too often her husband Carlo must attend charity events where he feels distinctly out of place. During one of these evenings, Carlo meets Nadine, a beautiful black woman.