Haradhan Bandopadhyay's Filmography on TV

Gorosthane Sabdhan (2010)

When Narendranath Biswa is injured in a storm, Feluda, a detective suspects foul play. Topshay and Ganguly aid him in the investigation and the trio uncover the story of a ninteenth-century family.

Parineeta (2005)

They fall in love before they know its meaning, Lolita, orphaned at an early age & Shekhar, who reaches out & gives her the security she craves.They share joys & sorrows through childhood & adolescence,unknown to them the relationship of an unspoken right they hold over eachother metamorphs into an intense love, they don't even sense coming. It Takes and outsider for them to realize their love.

Pratham Dekha (1992)

Two struggling singers, who hope to make their way to the top, fall in love and fight to stay together amidst various societal barriers.

Joy Baba Felunath (1979)

Set in the holy city of Benares, this is the second film about the detective Feluda, in which he goes for a holiday along with his cousin, Topshe and his friend, Lalmohan Ganguly. But the theft of a priceless deity of Lord Ganesh (the Elephant God) from a local household forces him to investigate.

Sonar Kella (1974)

A young boy becomes a target for crooks, after he claims to remember his past life and mentions precious jewels in a golden fortress.

Seemabaddha (1971)

The chronicles of Chatterjee, an ambitious and self-made young man, as he rises his way up the corporate ladder.

Mahanagar (1963)

Life at home changes when a housewife from a middle-class, conservative family in Calcutta gets a job as a salesperson.

Mahanagar (1963)

Life at home changes when a housewife from a middle-class, conservative family in Calcutta gets a job as a salesperson.

Krantikal

The story is of terrorism that’s plaguing different parts of the Northeast as the backdrop. Shilajeet Majumdar, a militant on the run, takes refuge in a dilapidated mansion. Rupa Ganguly stays there with her father-in-law Soumitra Chatterjee and his father Haradhan Bandopadhyay who’s confined to bed and is unable to speak. This film focuses on the friction and undercurrent of tension between the lady of the house and the terrorist.