Ruth Warrick Poster

From Wikipedia, the free encyclopedia. Dame Ruth Elizabeth Warrick (June 29, 1916 – January 15, 2005), DM, was a long-time American singer, Hollywood Golden-Age actress and political activist, best known for her role as Phoebe Tyler on All My Children, which she played regularly from 1970 until her death in 2005. She celebrated her 80th birthday by attending a special screening of Citizen Kane to a packed, standing-room-only audience, to which she spoke afterward. (She made her film debut as K
Gender: Female
Born On: 29-Jun-1915
Last Info Sync: 9/13/2018 5:45:00 PM

Ruth Warrick's Filmography on TV

List of programs starring Ruth Warrick on tv. Programs are sorted in order of last seen on tv. Last updated: Jun 30, 2024 4:39 AM

Daisy Kenyon (1947)

Daisy Kenyon is a Manhattan commercial artist having an affair with an arrogant and overbearing but successful lawyer named Dan O'Mara. O'Mara is married and has children. Daisy meets a single man, a war veteran named Peter Lapham, and after a brief and hesitant courtship decides to marry him, although she is still in love with Dan.

Mr. Winkle Goes To War (1944)

Wilbert Winkle, a henpecked, mild-mannered, middle-aged bank clerk and handyman finds himself in the midst of battle in the South Pacific.

Terrore sul Mar Nero (1943)

An American ballistics expert in Turkey finds himself targeted by Nazi agents. Safe passage home by ship is arranged for him, but he soon discovers that his pursuers are also on board.

Journey Into Fear (1943)

An American ballistics expert in Turkey finds himself targeted by Nazi agents. Safe passage home by ship is arranged for him, but he soon discovers that his pursuers are also on board.

Citizen Kane (1941)

Newspaper magnate, Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.

Citizen K (1941)

Newspaper magnate, Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.

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