Shimen Ruskin's Filmography on TV

S. P. Teja (1971)

This lavishly produced and critically acclaimed screen adaptation of the international stage sensation tells the life-affirming story of Tevye (Topol), a poor milkman whose love, pride and faith help him face the oppression of turn-of-the-century Czarist Russia. Nominated for eight Academy Awards.

Fiddler On The Roof (1971)

This lavishly produced and critically acclaimed screen adaptation of the international stage sensation tells the life-affirming story of Tevye (Topol), a poor milkman whose love, pride and faith help him face the oppression of turn-of-the-century Czarist Russia. Nominated for eight Academy Awards.

The Roof (1971)

This lavishly produced and critically acclaimed screen adaptation of the international stage sensation tells the life-affirming story of Tevye (Topol), a poor milkman whose love, pride and faith help him face the oppression of turn-of-the-century Czarist Russia. Nominated for eight Academy Awards.

Shaft il detective (1971)

Cool black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.

Donovan's Brain (1953)

A scientist takes a the brain of dead man and revives it via electrodes as it lays suspended in a tank of liquid. Soon, the brain grows to possess enormous psychic powers and inflicts its personality upon the doctor who saved creating a "Jekyll and Hyde" paradigm.

Johnny O'Clock (1947)

When an employee at an illegal gambling den dies suspiciously, her sister, Nancy, looks into the situation and falls for Johnny O'Clock, a suave partner in the underground casino. Selfish and non-committal by nature, Johnny slowly begins to return Nancy's affection and decides to run away with her, but conflict within his business threatens their plans. As Johnny tries to distance himself from the casino, his shady past comes back to haunt him.

Citizen K (1941)

Newspaper magnate, Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.

Citizen Kane (1941)

Newspaper magnate, Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.