Attilio Dottesio's Filmography on TV

In a school where the meeting seems more complete sampling of teachers and professors stupid airhead, there is the class of Peter, repeating in life, which is the "grandfather" to the far more young companions concerning jokes and vulgarity. Even outside the school walls, in the family or in the streets of the village where he lives, Peter is not far behind and his antics continue to freewheel.

Antonio Barozzi moves from Lago Maggiore to Rome to become an actor. He does not realize his agent and acting coach are only manipulating him to further their own careers.

A vineyard's manager marries the owner's very young daughter; father dies. Deceit, infidelity. The husband is forced to watch from a distance as his wife blossom socially in his absence; then the plot thickens.

A school bus with young children being kidnapped. Commissario Betti will solve the case. High action is promised, including hostage, bank robberies, car chases, prison scenes and mafia bosses!

Near the end of WW2, prisoners of war are used in experiments to perfect the Arian race.

Emanuelle is now confined to a Manhattan psychiatric clinic with an acute case of extreme amnesia and depraved fantasies. Can her doctor unravel a Freudian nightmare of incestuous hungers, lesbian longings, rampant nymphomania, and inexplicable body painting to solve the shocking mystery of her bizarre sexual trauma?

This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.

This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.

During the American Gold Rush era, an orphaned boy and his wild dog who must battle against the Yukon wilderness and human greed to help save a frontier town.

A musician witnesses the murder of a famous psychic, and then teams up with a feisty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.