From Wikipedia, the free encyclopedia.
Pierre Clémenti (28 September 1942 – 27 December 1999) was a French actor.
Born in Paris, Clémenti studied drama and began his acting career in the theatre. He secured his first minor screen roles in 1960 in Yves Allégret's Chien de pique performing alongside Eddie Constantine. Arguably, his most famous role was that of gangster lover of bourgeois prostitute Catherine Deneuve in Belle de jour, the 1967 classic by Luis Buñuel, in whose film La voie lactée
Gender: Male
Born On: 28-Sep-1942
Last Info Sync: 9/13/2018 4:53:00 PM
Pierre Clémenti's Filmography on TV
List of programs starring Pierre Clémenti on tv. Programs are sorted in order of last seen on tv. Last updated: May 6, 2024 5:23 PM
Il conformista (1971)
A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.
Nini' Tirabuscio' la donna che invento' la mossa (1970)
Comedy set at the time of King Umberto I of Monza (Italy) about Maria Sarti, aka Ninì Tirabusciò, actress/singer who caused a scandal with her raunchy dancing.
Il conformista - Il conformista (1970)
A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.
Love & Listings (1968)
When his father dies, young lad travels to Milan to attend the funeral and decides to follow in his father's footsteps as a gigolo. He is successful at finding rich women to prey on, but finds himself caught up in a bidding war.
Scusi, facciamo l'amore? (1968)
When his father dies, young lad travels to Milan to attend the funeral and decides to follow in his father's footsteps as a gigolo. He is successful at finding rich women to prey on, but finds himself caught up in a bidding war.
Les Idoles (1968)
This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
Homeo (1967)
O’Leary’s second film is a disjointed collage of beautifully shot footage with the filmmaker’s primitive and experimental soundtrack (lots of harmonium in this one). There are cityscapes, signs and billboards, nudes and plenty of cameos by other French actors/filmmakers of the day. Those with a sharp eye will spot Pierre Clementi (also credited as a cinematographer), Juliet Berto, Michel Auder, Frederic Pardo and more. —Herb Shellenberger
L'uomo che ride (1966)
A 1966 French-Italian film version made in Italy, titled L'uomo che ride, directed by Sergio Corbucci. This version features elaborate colour photography but a very low production budget. The main action is shifted to Italy and moved yesterwards in time, with the deformed protagonist meeting Lucrezia Borgia instead of Queen Anne. In this version, Gwynplaine is renamed Angelo (played by Jean Sorel). His disfigurement is represented as a single broad slash across his mouth, crude yet convincing. T