Ottavia Piccolo Poster

Ottavia Piccolo's Filmography on TV

List of programs starring Ottavia Piccolo on tv. Programs are sorted in order of last seen on tv. Last updated: Jun 30, 2024 9:06 AM

Welcome Venice (2023)

Pietro and Alvise come from a long line of fishing families from Giudecca, Venice's most 'working-class' island. But they don't see eye to eye on the seemingly unstoppable transformation of the lives of the Venetians and the city's very identity. Indeed, the far-reaching impact of global tourism has changed the relationship between Venice and its residents, and the pandemic has only thrown this critical situation into relief. Pietro would just like to keep fishing the typical crabs found in the

7 minuti (2016)

Women in a failing silk factory, fight to find a way to keep their jobs.

Una Buona Stagione (2014)

Set against the gorgeous backdrop of the Trentino region, this Italian-language drama follows the winemaking Masci family.

Il grande sogno (2009)

Italy, 1968. Aspiring actor Nicola enrolls in the police to pay for his studies, ending up undercover among college students protesting the government, the Vietnam War and the values of their parents' generation. However, he complicates his mission by falling for Laura, a bourgeois girl dreaming of a better world.

Tu la conosci Claudia? (2004)

Meet Claudia: dull Giovanni is married with her, Giacomo is divorced and happy of it (until he meets her), and Aldo... is a taxi driver. At the end, who will have won her heart?

Da grande (1987)

Marco, a nine year old boy, is in love with his elementary teacher, and feels neglected by his workaholic parents. When they forget about his birthday he wishes he could grow up at once. This really happens and Marco begins a new life as an adult. He rents a room in his teacher's flat and she falls in love with him. He even fakes a kidnapping when he runs out of money but he is mistaken for the kidnapper.

La famiglia (1987)

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

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