Kanhaiyalal Poster

Kanhaiyalal, or Kanhaiya Lal Chaturvedi, was an Indian film actor who acted in 105 films in his career, primarily in Hindi films produced in Bollywood, the Mumbai-based film industry. He was fond of plays and came to Mumbai to find a space on stage. He staged his own written play Pandrah August in Mumbai, and later he tried his luck in films. He also had written many plays. In the 1939 film Ek Hi Raasta as Banke, he got a break in Hindi films and in 1940 he got the role of the moneylender (Sahu
Gender: Male
Born On: 1-Jan-1910
Last Info Sync: 9/13/2018 5:18:00 PM

Kanhaiyalal's Filmography on TV

List of programs starring Kanhaiyalal on tv. Programs are sorted in order of last seen on tv. Last updated: Apr 28, 2024 10:14 AM

Mother India (1992)

Rajyalakshmi and her son Shivaji decide to fight against the government's Land Ceiling Act as it has the potential to adversely affect the lives of farmers.

Sathyam Shivam Sundaram (1978)

Rajeev falls in love with Roopa, a beautiful singer who hides the fact that half her face is disfigured. However, he soon discovers her secret after marriage and begins to ignore her.

Satyam Shivam Sundaram (1978)

As Pandit Shyam Sunder prayed in Bhagwan Shivji's temple on the occasion of Janamashtami, his wife gives birth to a daughter, Rupa, and passes away, leaving her child to bear the brunt of being an ill-omen. Years later, Rupa burns her face from a frying pot, thus disfiguring the right side of her face completely, so much so that when she matures, the scar being so hideous, that no one in the village nor surrounding area wants to marry her. Then an Engineer named Rajeev arrives from Bombay, he ap

Satyam (1978)

As Pandit Shyam Sunder prayed in Bhagwan Shivji's temple on the occasion of Janamashtami, his wife gives birth to a daughter, Rupa, and passes away, leaving her child to bear the brunt of being an ill-omen. Years later, Rupa burns her face from a frying pot, thus disfiguring the right side of her face completely, so much so that when she matures, the scar being so hideous, that no one in the village nor surrounding area wants to marry her. Then an Engineer named Rajeev arrives from Bombay, he ap

Dost (1974)

Maanav befriends Gopichand, a thief, and tries to reinvent his life by getting him a job in a good company. One day, Maanav disappears from his life and returns when his friend is in trouble again.

Banphool (1971)

Haria lives with his widowed and elderly grandmother at a tea estate and works as Elephant Driver. He has no knowledge of his biological father, as his mother died at the time of his birth. He meets and falls in love with a gypsy girl, Gulabi, and both want to get married. But Gulabi has another suitor, none other than Ajay, the only son of the tea estate owner. When Ajay finds out that Gulabi loves Haria, he plans to get rid of Haria, but fails. He waits for the right moment, and has his men ab

Banphool (1971)

Haria lives with his widowed and elderly grandmother at a tea estate and works as Elephant Driver. He has no knowledge of his biological father, as his mother died at the time of his birth. He meets and falls in love with a gypsy girl, Gulabi, and both want to get married. But Gulabi has another suitor, none other than Ajay, the only son of the tea estate owner. When Ajay finds out that Gulabi loves Haria, he plans to get rid of Haria, but fails. He waits for the right moment, and has his men ab

Chirag (1969)

When Ajay (Sunil Dutt) meets Asha (Asha Parekh), he mistakenly believes she's wealthy. The fact that she's not, however, doesn't prevent him from becoming smitten, and the couple soon marries with the full blessings of Ajay's family. Poverty is one thing, though, and childlessness quite another -- which Asha finds out the hard way. When she fails to produce an heir for the clan posthaste, her mother-in-law begins a search for her replacement.

Upkaar (1967)

Widowed Radha lives in rural India in the 1960s, along with two sons: Bharat and Puran. While she would like to educate her sons and ensure that they lead good lives, she cannot do so on her own, and

Diwana (1967)

Meet Pyarelal, a simple-minded, naive young man, orphaned at birth, living with a Muslim landlady, Fatima, who treats him like her son. When the police arrest Pyarelal on the charge of murder, no one really believes that this harmless man could harm anyone, leave alone kill. Their belief is shattered when Pyarelal openly admits in Court that he has indeed committed this crime, and demands capital punishment for it.

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