Jo Champa Poster

Jo Champa's Filmography on TV

List of programs starring Jo Champa on tv. Programs are sorted in order of last seen on tv. Last updated: Jun 1, 2024 9:36 AM

Somewhere (2010)

After withdrawing to the Chateau Marmont, a passionless Hollywood actor reexamines his life when his eleven-year-old daughter surprises him with a visit.

Don Juan DeMarco (1995)

John Arnold DeMarco is a man who believes he is Don Juan, the greatest lover in the world. Clad in a cape and mask, DeMarco undergoes psychiatric treatment with Dr. Jack Mickler to cure him of his apparent delusion. But the psychiatric sessions have an unexpected effect on the psychiatric staff and, most profoundly, Dr Mickler, who rekindles the romance in his complacent marriage.

Giustizia a tutti i costi (1991)

Gino Felino is an NYPD detective from Brooklyn who knows everyone and everything in his neighborhood. Killing his partner was someone's big mistake... because he's now out for justice.

Out For Justice (1991)

Gino Felino (Steven Seagal) is an NYPD detective from Brooklyn who knows everyone and everything in his neighborhood. Killing his Partner was someone's mistake, because he's now Out For Justice.

Il sole buio (1990)

After the death of his mother a man returns to his hometown Palermo in southern Italy in order to get hold of the legacy. Once there he is forced to participate in various crimes commited by the mafia.

Le vie del Signore sono finite (1987)

A troubled love between Camillo, psychosomatically ill, and Vittoria, a French girl who is about to marry another. Camillo is assisted by his brother Leone whose only purpose in his life is to look after him and has the company of a friend he met on a pilgrimage to Lourdes, Orlando, who is truly paralyzed. The two friends, very different from each other, are very close until the situation becomes complicated: Camillo, hoping for a rapprochement with Vittoria, gets well and without his friend's k

La famiglia (1987)

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

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