Heathcote Williams's Filmography on TV

City Of Ember (2008)

For generations, the people of the City of Ember have flourished in an amazing world of glittering lights. But Ember's once powerful generator is failing and the great lamps that illuminate the city are starting to flicker. Now, two teenagers, in a race against time, must search Ember for clues that will unlock the ancient mystery of the city's existence, before the the lights go out forever.

La leggenda del pianista sull'Oceano (1998)

The story of a virtuoso piano player who lives his entire life aboard an ocean liner. Born and raised on the ship, 1900 (Tim Roth) learned about the outside world through interactions with passengers, never setting foot on land, even for the love of his life. Years later, the ship may be destroyed, and a former band member fears that 1900 may still be aboard, willing to go down with the ship.

Blue Juice (1995)

JC is the hero of the Cornish surfing community. Staring thirty hard in the face, he fears that the wave that has carried him through a prolonged adolescence is heading for the rocks as his girlfriend pressures him for commitment and his friends contemplate growing up.

The Steal (1995)

A young American computer hackeress is hired by a liberal British lawyer to right the wrong done to a third world country by a London investment company. Even the expertise of her building inspector sidekick can not prevent a surprising development though.

Orlando (1992)

England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.

Nightshift (1981)

It is night and, in the foyer of a small hotel, a receptionist performs her tasks, unhurried and impassive, her face ghost-white, an emotional mask. Like the camera, she gazes steadily, both silent spectator and vicarious participant in the fantasies played out by the hotel's transient guests. As the night progresses, she answers a phone, hands over a key; guests pass back and forth gradually taking on a dream-like presence. She continues to work and, when morning comes, she leaves, her nightshi