Silvana De Santis Poster

Silvana De Santis's Filmography on TV

List of programs starring Silvana De Santis on tv. Programs are sorted in order of last seen on tv. Last updated: Jun 29, 2024 9:08 PM

Una casa nel cuore (2015)

When a man disappears and leaves a daughter and mother in heavy debt they have to live on a houseboat to make ends meet. - IMDB

W Maria Montessori (2007)

The story of Maria Montessori the most famous pedagogue of the world. She spent all her life to make her "metodo" (method) accepted in the archaic Italian school system, while the rest of the world immediately understand the importance of her theories. She was the first Italian Doctor, a famous feminist, a scientist. Her private life was hit by having an illegitimate son and by the Fascism that didn't want to accept completely her theories.

Maria Montessori (2007)

The story of Maria Montessori the most famous pedagogue of the world. She spent all her life to make her "metodo" (method) accepted in the archaic Italian school system, while the rest of the world immediately understand the importance of her theories. She was the first Italian Doctor, a famous feminist, a scientist. Her private life was hit by having an illegitimate son and by the Fascism that didn't want to accept completely her theories.

Notte italiana (1987)

Otello Morsiani, a north-eastern-italian lawyer, takes the job of estimating land holdings on the Po Delta, which are intended to be expropriated to make way for a national park. The lawyer soon discovers that in that area, once target of methane extraction, the soil is now at risk to sink, due to hydrogeological disturbance: in the meanwhile, he also digs out a mystery tied to a death dating back twenty years before.

La famiglia (1987)

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

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