Olimpia Carlisi Poster

Olimpia Carlisi (born 1946) is an Italian stage, film and television actress. She worked with Jean-Marie Straub and Danièle Huillet in Othon (1970), where her work was praised by critics.
Gender: Female
Born On: 29-Dec-1946
Last Info Sync: 6/30/2021 12:51:00 AM

Olimpia Carlisi's Filmography on TV

List of programs starring Olimpia Carlisi on tv. Programs are sorted in order of last seen on tv. Last updated: May 31, 2024 11:25 PM

La finestra di fronte (2003)

Overburdened and stuck in a greying marriage, Giovanna takes to caring for a Jewish Holocaust survivor her husband brings home. As she begins to reflect on her life, she turns to the man who lives across from her.

La terrazza (1980)

Drama about the difficulties of a group of people trying to change their lives. A group of people gathers in a terrace in Rome . Some are friends, some know each other and others just meet for the first time. All are intellectual and belong to the middle class.

Dalla nube alla resistenza (1979)

'Dalla nube alla resistenza (From the Cloud to the Resistance ) (1978), based on two works by Cesare Pavese, falls into the category of History Lessons and Too Early, Too Late as well. It, too, has two parts—a twentieth-century text and a text regarding the myths of antiquity, each set in the appropriate landscape. Pavese's The Moon and the Bonfires looks back on the violent deaths of Italian anti-Fascist resistance fighters; Dialogues with Leucò is a series of dialogues between heroes and gods,

Il Casanova di Federico Fellini (1976)

Casanova is a libertine, collecting seductions and sexual feats. But he is really interested in someone, and is he really an interesting person? Is he really alive?

Othon (1971)

Straub-Huillet’s first color film, adapts a lesser-known Corneille tragedy from 1664, which in turn was based on an episode of imperial court intrigue chronicled in Tacitus’s Histories. The costuming is classical, and the toga-clad, nonprofessional cast performs the drama’s original French text amid the ruins of Rome’s Palatine Hill while the noise of contemporary urban life hums in the background. Their lines are executed with a terrific flatness and frequently through heavy accents; the langua

Catch-22 (1970)

A bombardier in World War II tries desperately to escape the insanity of the war. However, sometimes insanity is the only sane way to cope with a crazy situation.

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