Edna Morris's Filmography on TV

Nothing Barred (1961)

Penniless Lord Whitebait's plan to save his sinking fortunes is to open stately Whitebait Manor to the public. But the public ignores his gesture, and his fortunes fade even further, with a stream of

On the Fiddle (1961)

Tricked into joining the RAF by a wily judge, wide boy Horace Pope sets his sights on the main chance, teams with slow-witted, good-hearted gypsy Pedlar Pascoe, and works up a lucrative racket in conning both his colleagues and the RAF. By means of various devious schemes Pope and Pascoe manage to avoid the front lines until they are sent to France - where they find themselves making unexpected and uncomfortably close contact with the enemy.

Sunday Morning (1960)

A 22-year-old factory worker lets loose on the weekends: drinking, brawling, and dating two women, one of whom is older and married.

Saturday Night And Sunday Morning (1960)

A 22-year-old factory worker lets loose on the weekends: drinking, brawling, and dating two women, one of whom is older and married.

Robbery Under Arms (1957)

During the mid 1860s, brothers Dick and Jim Marston are drawn into a life of crime by their ex-convict father Ben and his friend, infamous cattlethief Captain Starlight. Making their way to Melbourne with the proceeds of a recent raid, the brothers meet and romance the Morrison sisters, Kate and Jean, whom they eventually marry; but just as they are poised to start a new life in America, Captain Starlight and his gang arrive in town, planning a raid at the local bank.

Women of Twilight (1953)

When a nightclub singer is arrested for murder, his pregnant girlfriend moves into a boarding house for women, but the mother-to-be soon discovers that her new lodgings harbors a horrific secret.

Another Man's Poison (1951)

Novelist Janet Frobisher, lives in an isolated house, having been separated for years from her criminal husband. She has fallen in love with her secretary's fiancé and when her estranged husband unexpectedly appears, Janet poisons him, but just as she's about to dispose of the body, one of her husband's criminal cohorts also shows up.

Waterfront (1950)

When ship's fireman Peter McCabe walks out on his long-suffering wife, he leaves her impoverished, with two young daughters and a boy born soon after his departure. After an absence of fourteen years McCabe returns, sacked and humiliated, trailing trouble in his wake.