Betty Marsden Poster

Betty Marsden's Filmography on TV

List of programs starring Betty Marsden on tv. Programs are sorted in order of last seen on tv. Last updated: Jun 29, 2024 6:56 AM

Britannia (1982)

Britannia Hospital, an esteemed English institution, is marking its gala anniversary with a visit by the Queen Mother herself. But when investigative reporter Mick Travis arrives to cover the celebration, he finds the hospital under siege by striking workers, ruthless unions, violent demonstrators, racist aristocrats, an African cannibal dictator, and sinister human experiments.

Carry On Camping (1969)

Sid and Bernie keep having their amorous intentions snubbed by their girlfriends Joan and Anthea, so when they decide to take them on a holiday to Paradise Camp, they think they're off to a nudist colony—but they couldn't be more wrong, and meet up with the weirdest bunch of campers you can imagine.

The Wild Affair (1965)

Young office assistant Majorie will marry soon, however she's plagued by doubts if her fiance is the right one. On her last day at work, her male colleagues don't miss a chance to comfort her... and flirt.

The Leather Boys (1964)

An immature teenager marries a young biker but becomes disenchanted with the realities of working class marriage and her husband's relationship with his best friend.

The Big Day (1960)

A drama unfolding in the business world where shrewd methods are adopted by a boss to select a suitable yes-man for the Board.

The Young Lovers (1954)

A young employee of the British State Department falls in love with the daughter of a top Russian diplomat, much to the panic of their respective countries' officials, who suspect espionage. The cast includes David Knight, Odile Versois, Theodore Bikel and David Kossoff.

Ships With Wings (1941)

Before the war, a Fleet Air Arm pilot is dismissed for causing the death of a colleague. Working for a small Greek airline when the Germans invade Greece, he gets a chance to redeem himself and rejoin his old unit on a British carrier. This is regarded the last of the conventional, rather stiff 1930th style Ealing war films, to be succeeded by much more realism and better storytelling.

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