Memè Perlini's Filmography on TV

Un amore americano (1994)

Angelo Fossalto teaches literature at the University of Urbino and leads a quiet life. the man is about to leave for the United States to give a series of lectures, but he will meet a girl who will make him lose his head ...

Atto di dolore (1990)

In this painful melodrama, an aging mother (Claudia Cardinale) attempts to cope with the progressive deterioration of her grown son due to his drug addiction. At first only manipulative, in addition to stealing from her he eventually becomes abusive and violent, and she must take strong measures if she is to save her own life, much less his.

Notte italiana (1987)

Otello Morsiani, a north-eastern-italian lawyer, takes the job of estimating land holdings on the Po Delta, which are intended to be expropriated to make way for a national park. The lawyer soon discovers that in that area, once target of methane extraction, the soil is now at risk to sink, due to hydrogeological disturbance: in the meanwhile, he also digs out a mystery tied to a death dating back twenty years before.

La famiglia (1987)

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

The Grand Duel (1972)

A grizzled ex-sheriff helps a man framed for murder to confront the powerful trio of brothers who want him dead.

Decameron proibitissimo (1972)

During the early Italian Renaissance and the Black Death epidemic, a group of young men and women, seeking refuge in a secluded villa just outside the city of Florence, shares different stories of adultery and forbidden love.

A Fistful of Dynamite (1971)

At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.

Giu' la testa (1971)

At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.