Kommareddy Savitri (6 December 1935 – 26 December 1981), was an Indian film actress, director and producer. She appeared in versatile roles predominently in Telugu as well as Tamil, Kannada and Hindi language films. In 1960, she received the Rashtrapati Award for her performance in the Telugu filmChivaraku Migiledi.
Gender: Female
Born On: 6-Dec-1935
Last Info Sync: 9/13/2018 4:11:00 PM
Savitri's Filmography on TV
List of programs starring Savitri on tv. Programs are sorted in order of last seen on tv. Last updated: Apr 19, 2024 9:17 PM
Nakshathiram (1980)
A movie buff befriends a popular actress as he believes that she is leading a happy life. However, one day he sees an unknown man making an attempt on her life.
Allaudinaum Arputha Vilakkum (1979)
Allaudinaum Arputha Vilakkum is a 1979 Tamil/Malayalam bilingual film directed by I. V. Sasi. It has Rajinikanth and Kamal Haasan in the lead roles, with Sripriya and Jayabharathi playing their love interests. The film was dubbed into Telugu as Allauddin Adbutha Deepam and into Hindi as Aladdin and the Wonderful Lamp.
Jagan Mohini (1978)
The story of woman betrayed by a king reappears in his next life as a ghost intent on possessing him. On the advice of a priest,the king marries a pious woman who matches her devotional prowess against the ghost’s seductions and wins
Kandhan Karunai (1967)
The film revolves around Lord Murugan, his birth, marriage and his acceptance of the post of the head of the army of heaven.
Karuna (1967)
The film revolves around Lord Murugan, his birth, marriage and his acceptance of the post of the head of the army of heaven.
Saraswathi Sabatham (1966)
Saraswati Sabatham tells the story of a fight between three goddesses over which has the best power. Narada (Sivaji Ganesan), a sage and celestial troublemaker, begins the fight by visiting Saraswati, the goddess of knowledge, and asking her which is better: knowledge or wealth. Saraswati (Savitri) answers that her power, knowledge, is the best.
Sabatham (1966)
Saraswati Sabatham tells the story of a fight between three goddesses over which has the best power. Narada (Sivaji Ganesan), a sage and celestial troublemaker, begins the fight by visiting Saraswati, the goddess of knowledge, and asking her which is better: knowledge or wealth. Saraswati (Savitri) answers that her power, knowledge, is the best.
Shiv Kripa (1965)
Devrishi Narad visits Bhagwan Shri Shivji, Devi Maa Parvati, and their sons, Bhagwan Shri Ganesh, and Bhagwan Shri Kartikeya, and presents Shivji with a fruit. He decides to give it to his wife, who, in turn, decides to give it to her sons. But Shivji wants her to give it to only one. As a result, both the sons are put to a test, and Ganeshji is declared the winner. Kartikeyaji gets offended and decides to leave, followed closely by his parents and brother. Parvatiji catches up to him and narrat